Archive for the wave Category

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Our Daughter’s Wedding

Posted in 1980s, nyc, our daughter's wedding, synth, synthpunk, wave on September 10, 2007 by Frankie Teardrop

Our Daughter’s Wedding were a quirky, New York City based wave outfit comparible to the likes of Devo and Suicide. The band formed in the wake of the initial New York punk movement in 1977, taking their name from a section of greeting cards found in shops.

By the time they would begin recording and releasing material, the original straightforward rock lineup would soon add synthesizers to the mix and slim down to a trio. Though they employed the techniques seen in a variety of new wave and synth acts, the band would stay more true to their punk upbrining, keeping their songs punchy and energetic and playing all of their instruments live without the aid of sequencers.

Their first single, ‘Nightlife’ was released in 1980 and failed to make any impact whatsoever, though their second attempt, ‘Lawnchairs’ made a splash in the college circuit. Alongside a few more 7” singles, the band would cut an EP and a full length record, 1982’s Moving Windows, but would soon split in 1983 without any further drive or mainstream success.

I’ve plucked two tracks for your listening pleasure. The first is a remix of their underground hit ‘Lawnchairs’ and the second is the opening track from the Digital Cowboy EP, released in 1981.

download Our Daughter’s Wedding- ‘Lawnchairs (Remix)’
download Our Daughter’s Wedding- ‘Target For Life’

Here’s a live video of Our Daughter’s Wedding performing “Target For Life:”


Though several collections of the band’s material have been pressed to cd, they remain currently out of print. For more information about the band however, please visit these handy-dandy links.

Discogs.com
Myspace Page

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The (Hypothetical) Prophets

Posted in 1980s, coldwave, france, minimal, the hypothetical prophets, wave on September 5, 2007 by Frankie Teardrop


The (Hypothetical) Prophets were an ephemeral French coldwave band consisting of duo Bernard Szajner and Karel Beer. The band formed in 1980 and released a series of 12” singles and one full length record before their quick demise.

Despite a short discography, the band’s craft was unique. Singing in both their native tongue as well as English and alternating between male and female vocals, the the dozen or so songs recorded under this name are haunting minimal wave at its finest, a mixture of harsh electronic experimentation and catchy pulses of synth.

I’ve been trying to get a hold of their lone LP, 1982’s Around the World With the (Hypothetical) Prophets, but in the meanwhile, I’ve uploaded two tracks, both appearing as their own respective A-side. However, these versions are plucked from the 2004 So Young, But So Cold: Underground French Music 1977-1983 compilation. Enjoy!

download the (Hypothetical) Prophets – ‘Person to Person’
download the (Hypothetical) Prophets – ‘Wallenberg’

I didn’t think I’d be able to find any videos, but lo and behold, click below for the video for ‘Person to Person.’

Since the band’s split, Bernard Szajner would continue to record music under his own name until 1986, persuing other artistic ventures in theatre and the arts soon after. However, according to his official site, plans are in the works to release four (!) records and rehearse a band for future touring. For more information, news, and bits and bobs on Bernard, click below for his official site:

Official Bernard Szajner site
pick up So Young But So Cold through CDuniverse.com

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Soft Cell

Posted in 1980s, minimal, soft cell, synth, wave on September 4, 2007 by Frankie Teardrop

A bit of a nostalgic kick and a semi-request for today’s post; another name known for but one splash song to many and for several classic recordings by those who followed them further.

Soft Cell were a sleazy electric music duo featuring singer Marc Almond and multi-instrumentalist David Ball. The band formed in Leeds in 1980, recording a few one off tracks for compilations alongside Depeche Mode, OMD, and The The. When the Daniel Miller produced single ‘Memorabilia’ hit the charts and the dance floors soon after, the band was given one last shot to fully break into the UK charts. Whereas most bands featured on these pages would fold or fail in the wake of such a challenge, Soft Cell would succeed; their cover of Gloria Jones-by-way-of Ed Cobb song ‘Tainted Love’ would become a smashing success. The song was then featured on their 1981 record Non-Stop Erotic Cabaret, which also caught fire in the US. Marc Almond would also appear in a video for Coil’s dirge-tastic version of the song, and would contribute vocals to their following record The Horse Rotorvator.

Soon after the buzz, the band began a quick descent. Two records later, internal problems between the pair had forced the band apart, though each member would further record with new projects and under collaborative efforts. Though Marc would enjoy a fruitful solo career and David would form and re-form a band called the Grids, neither would reach the triumphs they shared with thier brief flirtation with chart success.

In 2001, the pair reunited for several well-received gigs and have since resumed recording, releasing a record in 2002 and several live records. A remix record is slated to be released this year.

I’ve uploaded two early Soft Cell gems for your listening pleasure. The first is their initial club splash ‘Memorabilia’ and the second, the sordid and debaucherous fan-favorite ‘Sex Dwarf,’ featured on Non-Stop Erotic Cabaret.

download Soft Cell- ‘Memorabilia’
download Soft Cell- ‘Sex Dwarf’

I could just as easily post the regular round of Soft Cell videos, but since the videos for ‘Tainted Love’ and ‘Bedsitter’ can be found from several immediate sources on Youtube, here’s a special treat instead- a video of Soft Cell and Clint Ruin/Foetus/Jim Thirlwell performing a cover of Suicide’s ‘Ghost Rider’ in 1983:

Ok, ok, and to watch the original video for ‘Tainted Love,’ click below:

More info and purchasing links here:
Marc Almond’s homepage
Soft Cell on Amazon.com

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Hysterica Passio- Grey Over Life 12”

Posted in 1980s, hysterica passio, minimal, nyc, synth, wave on August 30, 2007 by Frankie Teardrop

I’ve only managed to dig up a few snippets about today’s band- NY based minimal synth act Hysterica Passio. Drawing name inspiration from an outdated term for dementia used in Shakespeare’s King Lear, the band put out but one 12” single in 1982 before their demise two years later. These two tracks would be featured on various DIY Flexi-Pop compilations soon after, but would never record another note.

Hysterica Passio- Grey Over Life 12”
1. Grey Over Life
2. Alone

*songs removed by request*

Naturally, I’ve no Youtube videos, band photos, or links to pick up their material in mass-quantities. The original vinyl single however, should one be lucky enough to find a copy online, fetches approximately $80.

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Severed Heads

Posted in 1980s, 1990s, 2000s, australia, severed heads, synth, synthpunk, wave on August 27, 2007 by Frankie Teardrop

Hailing from Australia, today’s band Severed Heads relied early on tape loops and abrasive synthesizers, and over the course of several years perfected their noise-based craft into a blend of experimentation and pop music.

The band formed in Sydney in 1979 under the name Mr. and Ms. No Smoking Sign and changed their name to Severed Heads as they began recording their expansive discography. With their unique stage shows and noise-laced yet catchy tracks, the band developed a rather large following and by 1984, they embarked upon a rather large world tour backed by their single ‘Dead Eyes Opened.’

Unlike most bands featured on these pages, Severed Heads are still alive and kicking, having gone through several record deals and lineup changes (Tom Ellard remaining the only original member to date) since their conception and peak. The band would disappear from the music industry in late 1999, but continues to release underground and independent recordings and live collections on a semi-regular basis. Their most recent work includes a soundtrack to a DVD film entitled The Illustrated Family Doctor in 2005.

I’ve uploaded two of my favorite Severed Heads tracks from their earlier days… The first, ‘Triangle Tangle Tango’ is a favorite of mine to spin, featured on 1989’s Rotund For Success. The second track, ‘We Have Come to Bless This House’ is featured on their classic 1985 record City Slab Horror.

download Severed Heads- ‘Triangle Tangle Tango’
download Severed Heads- ‘We Have Come to Bless This House’

As for their biggest single, here’s the official video for ‘Dead Eyes Opened’ for your viewing pleasure:

Severed Heads official website– for more information, hilarious commentary by Tom Ellard, purchase links, and more.

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Modern English

Posted in 1980s, 4ad, british, modern english, post-punk, wave on August 15, 2007 by Frankie Teardrop

Today’s band is one that became a household name in the mid-1980s based on a one-off hit, but hasn’t made any commercial impact since, lost in the hearts of 80s nostalgia and easily dismissed as a one-hit wonder. Truth is that today’s band, Modern English, were more than capable of writing a myriad of other amazing songs, and a handful of seminal records in an emerging post-punk scene, even if they went mostly ignored by all but the impassioned.

This Essex-based band originally began in 1977, originally christened the Lepers. The band released a one-off single before changing their name to Modern English and signing to a budding 4AD records, the band being the first that Ivo Watts-Russel approached after creating the label. Both stylistically, and commercially, Modern English helped put the label on the map.

Musically, the band originally drew heavily from the doom and gloom of fellow contemporaries Joy Division and Bauhaus, a rude awakening for fans who stumbled across them after the perfect pop song ‘I Melt With You from their 1982 sophomore record, After the Snow.

Pressured after such a large success, the band fell apart after one more record, two of the original members departing for greener pastures, but instead of a side-project, the band revamped and kept pushing forward, occasionally releasing records into the 90s. Though they remained a college favorite, the band never again broke the US or UK charts. Despite sporadic output, Modern English remain together to this day, playing gigs from time to time. The band has a new recording contract with A.P.G. as of 2001, but there’s no clear word as to when to expect new material.

I’ve uploaded a handful of tracks from their debut record, 1981’s Mesh & Lace. The first was also their second single, while the second is a deeper cut and favorite from the record. Here they are, for your listening enjoyment:

download Modern English- ‘Gathering Dust’
download Modern English- ‘A Viable Commercial’

and for a nice dose of 80s nostalgia, here’s what seems to be the official video for ‘I Melt With You.’ Let’s hear it for the M&Ms theme song, ladies and gentlemen:

and if you want to toss some bucks around and pick up some of their records, here’s an Amazon link, which though some of their earlier material is out of print, still features a few used copies:

Purchase Modern English tunes on Amazon.com

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The Fast Set- Junction One 7”

Posted in 1980, 1980s, 4ad, minimal, synth, the fast set, wave on August 14, 2007 by Frankie Teardrop

Some classic minimal synth for you today, ladies and gentlemen… Today’s band is the Fast Set, a one man synth project who’s first and only 7” recording was also the very first release on Axis, aka 4AD.

The Fast Set is comprised of avant-artist David Knight, who signed with with Axis records upon its inception in 1980, just before label-head Ivo Watts-Russel was forced to change the label’s name to 4AD. As a one man project, the Fast Set recorded just one 7” single for the song ‘Junction One’ in 1980. The b-side of the single was a synthetic dirge rendition of ‘Children of the Revolution’ by T.Rex.

The band’s only other recorded moment was a cover of T.Rex’s ‘King of the Rumbling Spires,’ released on a Some Bizzare compilation in 1981. Afterwards, David disbanded his project and went on to work with the likes of Danielle Dax and the Shockheaded Peters.

Here’s that lone single for your listening and downloading pleasure:

The Fast Set- Junction One 7”
1. Junction One
2. Children of the Revolution

*DOWNLOAD LINKS REMOVED* Click here to purchase these via 4AD’s official site.

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Testcard F

Posted in 1980s, british, minimal, synth, synthpunk, testcard f, wave on August 9, 2007 by Frankie Teardrop

Today’s band, Testcard F, has so little recorded output that I almost considered tossing it all at you, but that would take all the fun out of hunting it down and savoring it, wouldn’t it?

In fact, there’s not only just two singles and a John Peel recording available, there’s very little information to be found about this British band, aside from a few bits and bobs:

The band formed in 1981, and reconstructed and built their own synthesizers. Unlike some synth-punk and minimal wave acts of the time, this band near-completely utilized electronic instruments, drum machines, and backing tapes; the only organic instrumentation appearing in the form of trash cans, coat racks, and other assorted debris. Oftentimes, their live performances would be slagged viciously by heckling attendees, anxious for guitars. One particular gig in their hometown of Norwich ended in a small riot.

The band split immediately on the brink of success after winning a Norwich battle of the bands and recording their two singles and Peel Session in 1984.

I’ve uploaded their b-sides, both tracks which I enjoy more than their respective flip. The first, ‘Unfamiliar Room’ is a particular favorite of mine, featured on the Bandwagon Tango 7” and the second the b-side of the Third Stroke 7”. If anyone is anxious for the remaining a-sides and Peel recordings, drop a line and I’ll happily upload the rest.

download Testcard F- ‘Unfamiliar Room’
download Testcard F- ‘If Only it Wasn’t’

…and sadly, I have no photos, youtube clips, or homepages for you today, and naturally since their material is so far out of print, if you manage to come in cahoots with either of these vinyl singles, snap them up in a heartbeat!

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Colin Newman

Posted in 1980s, art-punk, british, colin newman, synth, wave, wire on August 7, 2007 by Frankie Teardrop


Having gone though rather huge phases listening to nothing but post-punk greats Wire for a few days in a row, it’s no shock that I’ve also inspected and been overjoyed with the various side projects and solo outings during the band’s off-time. Today’s artist is one of the double frontmen of Wire and the primary tunesmith, Mr. Colin Newman.

When the British band temporarily split in 1980 after three records, Colin quickly pursued a solo career, taking the art-damaged direction that Wire had experimented with on both Chairs Missing and 154. The result didn’t fall far from the tree, for Colin recorded a series of three records in a similar art-pop style. The first, 1980’s A-Z, was released on Beggar’s Banquet and featured ‘Alone,’ a haunting track tapped near-ten years later for the soundtrack to Silence of the Lambs and covered by friends in 4AD project This Mortal Coil. Both 1981’s Provisionally Entitled the Singing Fish and 1982’s Not To were released on 4AD, once they were able to properly finance Newman’s recordings. The first featured instrumental tracks as a series of numbered fish while the second consisted of new recordings and reworked Wire outtakes.

Though Wire reformed in 1984 and has remained intermittently active since, Colin released three more solo records and an EP for various labels. The last, 1997’s Bastard was a largely collective and collaborative electronic outing. Over the years, Colin has also produced records for the Virgin Prunes and Minimal Compact, produced recorded full-lengths with Wire as well as longtime collaborator and wife Malka Spigel, managed Wire’s Pinkflag label, and also done double-duty as a member of Githead, an experimental rock outfit.

I’ve uploaded two solo Newman tracks for the downloading; ‘Alone’ from A-Z and ‘Don’t Bring Reminders’ from Not To.

download Colin Newman- ‘Alone’
download Colin Newman- ‘Don’t Bring Reminders’

Most of his solo and collaborative band material is easily available through Amazon and your local record shoppes, so pick some up if you’re into it! For a more thorough biography and discography on Colin, click this link:

Colin Newman web-hub
Colin Newman via 4AD

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