Archive for the synth Category

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Tone Set

Posted in 1980s, arizona, minimal, synth, synthpunk, tone set on October 1, 2007 by Frankie Teardrop

Today’s band is a synthpunk classic, an ephemeral act who released little, but recorded a string of stellar tracks throughout their tenure.

Upon the demise of similar synthpunk unit Dow Jones and The Industrials, guitarist and vocalist Greg Horn would relocate to Arizona and kick off a band called Tone Set along with fellow KAET coworker Galen Herod. The two piece band would record a series of tracks which would compromise the 1982 cassette Cal’s Ranch. Their sound was a minimal blend of synthpunk, mostly relying on tape loops, various keyboards, and vocal samples; some tracks cold and experimental and others a bit more lighthearted. None of these songs featured lyrics, aside from a handful of lines in “Wigglin Around In Middletown.”

After a few compilation appearances, the band would shift in a more vocal direction for their 1983 record Calibrate, both members splitting vocal duties on the A-side. Despite a bit of underground buzz for their single ‘Life Is Busy’ (including high praise from Mark Mothersbaugh of Devo, who voted for the band in an early MTv competition) Tone Set would split up soon after as both Greg and Galen would go their separate ways, each releasing a series of solo records over the next decade.

The following two tracks come from their two releases. The first, ‘Life Is Busy’ is the lead-off single from 1983’s Calibrate and the second, a previous recording of ‘What Good’s a Hit Song’ from 1982’s Cal’s Ranch cassette.

download Tone Set- ‘Life is Busy’
download Tone Set- ‘What Good’s a Hit Song’

No videos or links today, ladies and gentlemen- for I’m almost positive their work is out of print and their video for ‘Life is Busy’ is long-lost. If anyone does have said links, feel free to drop them below!

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We’ve Got a Fuzzbox and We’re Going to Use It

Posted in 1980s, british, fuzzbox, post-punk, synth, we've got a fuzzbox and we're going to use it on September 24, 2007 by Frankie Teardrop

We’ve Got a Fuzzbox and We’re Going to Use It formed in Birmingham in 1985 as an incredibly raw, all female post-punk act with a knack for outrageous dress and catchy hooks. Their initial style, a devil-may-care attitude fostered on punk rock fury and a dose of playful sexuality, initially caused a controversial buzz upon their debut.

After a double-a side single for the songs ‘XX Sex’ and ‘Rules and Regulations’ reached number 41 in the British charts, the band took to the studio and recorded their first full length record. Released in 1986, their self-titled record hit the charts, airwaves, and dance floors in England, but failed to make much of an impact outside of Europe, where their name was truncated simply to ‘Fuzzbox’ and the album retitled to Bostin’ Steve Austin.

Their second record, 1989’s Big Bang! featured a revamp of style and sound, the band trading in their punk rock ethics for a sound more in line with slick dance pop. Despite an attempt to adapt to the times, the band split almost immediately after the album’s release, and lead singer Vickie Perks would form Vix And The Kix after a failed solo effort.

After a few listens, I’m not too keen on their second record, so with that being the case, I’ve instead uploaded two of the singles from their debut record, Bostin’ Steve Austin for your consumption.

download Fuzzbox- ‘Love is the Slug’
download Fuzzbox- ‘Rules and Regulations’

The video for ‘Love is the Slug’ may very well be one of the most amusing, fun, and strange videos I’ve ever seen, so approach below with caution and perhaps a love for sheer wackiness.

Most of their output is seemingly out of print, but available on LP via various auction and second-hand sites. If you like it, seek it out!

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Grauzone

Posted in 1980s, german, grauzone, minimal, NDW, swiss, synth, wave on September 21, 2007 by Frankie Teardrop


A request fulfilled! A quick reminder to chime up in the comments if you’d like to see a specific band featured- whether you’re involved, a fan, or trying to get ahold of more material or information.

That said, today’s band is Grauzone, a Swiss wave band who released but a few singles and one LP before disbanding. The band was the brainchild of multilingual singer Stephen Eicher and formed in 1978 along with his brother Martin, G.T. on bass, Claudine Chirac on sax, and Marco Repetto on drums. Though of Swiss origin, the majority of Grauzone’s songs were sung in German, breaking into a budding synth movement with their mild hit ‘Eisbär’ in 1981.

Soon after, their self titled full-length was released and Grauzone disbanded. However, Stephen’s interest in French music sparked a successful solo career as an ever changing musician, his future (and current) work covering a broad range of genres.

I’ve uploaded a duo of tracks for your enjoyment. The first is ‘Eisbär,’ their initial buzz single (which has since been covered prominently by both the Dresdon Dolls AND Nouvelle Vague) and the second hails from Die Sunrise Tapes, a pressed to CD collection of Grauzone’s work released in 1998.

download Grauzone- ‘Eisbär’
download Grauzone- ‘Schlachtet!’

Die Sunrise Tapes seems to be the only available and in-print CD available from Grauzone, though their vinyl is relatively easy to find on Ebay. For a link to nab Die Sunrise Tapes online, click below:

CD Universe.com

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Silent Signals

Posted in 2000s, minimal, silent signals, synth, wierd records on September 13, 2007 by Frankie Teardrop

Today’s artist is one who’s worn several different hats and fronted a slew of projects over a period of time. Dating back to the 1980s, German electronic artist Dirk Torben K. has released material under the names Echo West and Intensive Care Unit, but today’s post will focus on his current work under the name Silent Signals.

Silent Signals appeared somewhat mysteriously in 2002 as a side project and has since released but one proper outing, a four track single entitled Walk on the Ladder. However, several Silent Signals tracks have appeared on various compilations and split singles, and the one-man outfit most recently appeared on NYC’s Wierd Records collection.

Without any further ado, here are the downloads. The first is the lone appearance of Silent Signals from the aforementioned Wierd collection, and the second is the title track from the Walk on the Ladder 7” single. Enjoy!

download Silent Signals- ‘Exit Out’
download Silent Signals- ‘Walk on the Ladder’

I’m not sure if Dirk has performed live under this moniker, but for a related visual treat, here’s a video of his main outfit Echo West performing in 2006:

For other information, and to nab a copy of the Wierd Records collection, please inspect these following links:

Purchase the Wierd Records 3x LP collection
Echo West homepage (in German)

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Swell Maps

Posted in 1970s, art-punk, post-punk, swell maps, synth on September 11, 2007 by Frankie Teardrop

Swell Maps are among the most influential and chaotic bands of an early post-punk movement. The band originally formed in the early seventies by brothers Nikki Sudden and Epic Soundtracks (Nicholas and Kevin Godfrey respectively) but waited until the punk explosion to become a full-blown force.

The band would further bastardize and obliterate the three-chord boundaries of punk rock, experimenting with expansive Kraut rock sounds, utilizing tape loops, and practically destroying synthesizers on tape. Both of their full length records include ambient soundscapes and short segments of noise in between shrill yet catchy lo-fi punk songs.

Though their tenure on record barely lasted over a year and change, the band would leave a spectacular trail of songs and sonic experimentation before their demise in 1980. Both brothers would join other outfits and pursue solo ventures, and compilations of single tracks and unreleased material would soon find their way to the market in the wake of the band’s budding influence.

I’ve uploaded a duo of tracks, the first is a personal favorite, a sprawling, clanging instrumental piece featured on their second and final record, 1980’s The Swell Maps In…Jane From Occupied Europe.. The second is a straightforward art-punk tune featured on 1979’s A Trip To Marineville. Enjoy!

download Swell Maps- ‘Big Maz in the Desert’
download Swell Maps- ‘Blam!’

No real footage or videos of the band exist in full form, but I’ve come across a live version of ‘Let’s Build a Car From the Tyranny of the Beat’ backed with assorted live bits and bobs.

Fortunately (and most refreshingly), the majority of this band’s official (and unofficial) output is available for purchase by clicking the following link:

Swell Maps on Amazon.com

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Our Daughter’s Wedding

Posted in 1980s, nyc, our daughter's wedding, synth, synthpunk, wave on September 10, 2007 by Frankie Teardrop

Our Daughter’s Wedding were a quirky, New York City based wave outfit comparible to the likes of Devo and Suicide. The band formed in the wake of the initial New York punk movement in 1977, taking their name from a section of greeting cards found in shops.

By the time they would begin recording and releasing material, the original straightforward rock lineup would soon add synthesizers to the mix and slim down to a trio. Though they employed the techniques seen in a variety of new wave and synth acts, the band would stay more true to their punk upbrining, keeping their songs punchy and energetic and playing all of their instruments live without the aid of sequencers.

Their first single, ‘Nightlife’ was released in 1980 and failed to make any impact whatsoever, though their second attempt, ‘Lawnchairs’ made a splash in the college circuit. Alongside a few more 7” singles, the band would cut an EP and a full length record, 1982’s Moving Windows, but would soon split in 1983 without any further drive or mainstream success.

I’ve plucked two tracks for your listening pleasure. The first is a remix of their underground hit ‘Lawnchairs’ and the second is the opening track from the Digital Cowboy EP, released in 1981.

download Our Daughter’s Wedding- ‘Lawnchairs (Remix)’
download Our Daughter’s Wedding- ‘Target For Life’

Here’s a live video of Our Daughter’s Wedding performing “Target For Life:”


Though several collections of the band’s material have been pressed to cd, they remain currently out of print. For more information about the band however, please visit these handy-dandy links.

Discogs.com
Myspace Page

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Soft Cell

Posted in 1980s, minimal, soft cell, synth, wave on September 4, 2007 by Frankie Teardrop

A bit of a nostalgic kick and a semi-request for today’s post; another name known for but one splash song to many and for several classic recordings by those who followed them further.

Soft Cell were a sleazy electric music duo featuring singer Marc Almond and multi-instrumentalist David Ball. The band formed in Leeds in 1980, recording a few one off tracks for compilations alongside Depeche Mode, OMD, and The The. When the Daniel Miller produced single ‘Memorabilia’ hit the charts and the dance floors soon after, the band was given one last shot to fully break into the UK charts. Whereas most bands featured on these pages would fold or fail in the wake of such a challenge, Soft Cell would succeed; their cover of Gloria Jones-by-way-of Ed Cobb song ‘Tainted Love’ would become a smashing success. The song was then featured on their 1981 record Non-Stop Erotic Cabaret, which also caught fire in the US. Marc Almond would also appear in a video for Coil’s dirge-tastic version of the song, and would contribute vocals to their following record The Horse Rotorvator.

Soon after the buzz, the band began a quick descent. Two records later, internal problems between the pair had forced the band apart, though each member would further record with new projects and under collaborative efforts. Though Marc would enjoy a fruitful solo career and David would form and re-form a band called the Grids, neither would reach the triumphs they shared with thier brief flirtation with chart success.

In 2001, the pair reunited for several well-received gigs and have since resumed recording, releasing a record in 2002 and several live records. A remix record is slated to be released this year.

I’ve uploaded two early Soft Cell gems for your listening pleasure. The first is their initial club splash ‘Memorabilia’ and the second, the sordid and debaucherous fan-favorite ‘Sex Dwarf,’ featured on Non-Stop Erotic Cabaret.

download Soft Cell- ‘Memorabilia’
download Soft Cell- ‘Sex Dwarf’

I could just as easily post the regular round of Soft Cell videos, but since the videos for ‘Tainted Love’ and ‘Bedsitter’ can be found from several immediate sources on Youtube, here’s a special treat instead- a video of Soft Cell and Clint Ruin/Foetus/Jim Thirlwell performing a cover of Suicide’s ‘Ghost Rider’ in 1983:

Ok, ok, and to watch the original video for ‘Tainted Love,’ click below:

More info and purchasing links here:
Marc Almond’s homepage
Soft Cell on Amazon.com

4 Comments »

Hysterica Passio- Grey Over Life 12”

Posted in 1980s, hysterica passio, minimal, nyc, synth, wave on August 30, 2007 by Frankie Teardrop

I’ve only managed to dig up a few snippets about today’s band- NY based minimal synth act Hysterica Passio. Drawing name inspiration from an outdated term for dementia used in Shakespeare’s King Lear, the band put out but one 12” single in 1982 before their demise two years later. These two tracks would be featured on various DIY Flexi-Pop compilations soon after, but would never record another note.

Hysterica Passio- Grey Over Life 12”
1. Grey Over Life
2. Alone

*songs removed by request*

Naturally, I’ve no Youtube videos, band photos, or links to pick up their material in mass-quantities. The original vinyl single however, should one be lucky enough to find a copy online, fetches approximately $80.

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Chrome

Posted in 1970s, 1980s, chrome, experimental, industrial, noise, san francisco, synth on August 29, 2007 by Frankie Teardrop


Today’s band was so truly innovative that most of their output sounds futuristic and ahead of its time even today…

Formed in San Francisco under the pretenses of making ‘scary, funny music,’ Chrome was created by a drummer/synth player and a lone guitarist in 1976. Though the band would start as a straightforward synth-driven psychedelic project, their music would quickly take a turn for the more experimental and strange as the band shifted lineups after their debut. Over the course of four years, the band, (mainly) consisting of Helios Creed and Damon Edge, would release a slew of albums, their development accelerated by their extremely prolific nature. Their songs were part science fiction epics, part pre-punk fury, and mostly deconstructed experimentation.

This short incarnation of the band would serve as a blueprint for the upcoming post-punk and industrial movements, Chrome joining the ranks of early innovators Suicide, Silver Apples, and Throbbing Gristle. When the band split in 1983, Damon Edge relocated to Europe and continued on under the same name, releasing records consistently until 1995, when he died of heart failure in Los Angeles. Upon Damon’s death, Helios reformed the band out of tribute, carrying on sporadically with new and original collaborators both live and in the studio.

Here’s two tracks I’ve uploaded from the original incarnation of the band. The first is a more rare but solid track, released in a more widespread form via recent compilations of the band’s earlier material, and the second is the lead-off track from their 1977 record Alien Soundtracks.

download Chrome- ‘In a Dream’
download Chrome- ‘Chromosome Damage’

and for your futuristic, acid-loving viewing pleasure, click below to watch the (very A Clockwork Orange-esque) video for the 1980 single ‘New Age.’

Most of their recorded output is extremely difficult to get a hold of, outside of anthologies and used bins. However, according to their official site, three early records have been re-released and remastered. For more information on all of this as well as more on the band, please click below:

Official Chrome site
Chrome 1979-1983 Anthology on Amazon

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Severed Heads

Posted in 1980s, 1990s, 2000s, australia, severed heads, synth, synthpunk, wave on August 27, 2007 by Frankie Teardrop

Hailing from Australia, today’s band Severed Heads relied early on tape loops and abrasive synthesizers, and over the course of several years perfected their noise-based craft into a blend of experimentation and pop music.

The band formed in Sydney in 1979 under the name Mr. and Ms. No Smoking Sign and changed their name to Severed Heads as they began recording their expansive discography. With their unique stage shows and noise-laced yet catchy tracks, the band developed a rather large following and by 1984, they embarked upon a rather large world tour backed by their single ‘Dead Eyes Opened.’

Unlike most bands featured on these pages, Severed Heads are still alive and kicking, having gone through several record deals and lineup changes (Tom Ellard remaining the only original member to date) since their conception and peak. The band would disappear from the music industry in late 1999, but continues to release underground and independent recordings and live collections on a semi-regular basis. Their most recent work includes a soundtrack to a DVD film entitled The Illustrated Family Doctor in 2005.

I’ve uploaded two of my favorite Severed Heads tracks from their earlier days… The first, ‘Triangle Tangle Tango’ is a favorite of mine to spin, featured on 1989’s Rotund For Success. The second track, ‘We Have Come to Bless This House’ is featured on their classic 1985 record City Slab Horror.

download Severed Heads- ‘Triangle Tangle Tango’
download Severed Heads- ‘We Have Come to Bless This House’

As for their biggest single, here’s the official video for ‘Dead Eyes Opened’ for your viewing pleasure:

Severed Heads official website– for more information, hilarious commentary by Tom Ellard, purchase links, and more.

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