Archive for the post-punk Category

Dead Neighbours- Strangedays : Strangeways LP

Posted in 1980s, 1985, dead neighbours, goth, goth-rock, lowlife, post-punk on August 30, 2018 by Frankie Teardrop

 

Here’s a fresh rip of a forever classic, hot off the needle to soothe your end-of-summer anxiety. Here we have the second (and final) LP by Scotland’s Dead Neighbours, released in 1985 and featuring eight tracks of driving post-punk bliss.

For those unfamiliar, Dead Neighbours began as a Cramps-inspired psychobilly band, featuring the powerful baritone vocals of Craig Lorentson (RIP) at the forefront of their sound. The band was managed by Brian Guthrie, brother of Cocteau Twins guitarist Robin Guthrie, who helped develop the band’s cult following.

During the recording of their second LP, bassist David Steele departed the band, and the Guthries encouraged Will Heggie to join to complete the record. Heggie, freshly departed from the Cocteau Twins after a tumultuous tour supporting Garlands, was happy to oblige, and completed the record and stayed on to work on new material. Heggie’s incredibly charismatic playing instantly changed the dynamic of the band, and after swapping guitarists for Stuart Everest, the band decided to rechristen themselves as Lowlife, who would go on to release five highly acclaimed albums and a handful of EPs until their breakup in the mid-90s.

With that in mind, the shift in sound is already present on this LP, a clear shade of difference from their 1984 debut Harmony In Hell. Heggie’s energy can already be felt, and the songs appear harder, faster, and stronger, despite shirking much of their psychobilly roots. There’s still a little of that sound present, but just enough to keep things interesting. Lyrically, the album is very focused on mental illness and suicide, especially apparent on opening track “Wreckage of Your Mind” and the final track. Also worthy of note: closing track “The Cowards Way” [sic] was re-recorded by Lowlife and a more lush, dreamier version kicks off their 1986 debut record Permanent Sleep.

If you HAVE heard this one before, hope you enjoy a fresh 320kbps rip of this classic. I don’t happen to have their first album Harmony In Hell NOR the 1985 compilation Wild Women Vs Rubber Fish! in my collection to provide new rips, but hope this one satiates your ears for now. Either way, feel free to pull this down and crank it loud!

Dead Neighbours- Strangedays : Strangeways LP
1. Wreckage Of Your Mind
2. Turmoil
3. Terror Eyes
4. The Survivor
5. The Ultimate Goal
6. Beauty and the Beast
7. Tell Me Why
8. The Cowards Way

*download it here*

Somewhere A Voice- Love, Logic + Ego LP

Posted in 1980s, 1982, post-punk on August 29, 2018 by Frankie Teardrop

Here’s an excellent UK DIY post-punk gem from 1982, well within the golden era of bands with this sort of sound. Somewhere A Voice were based in London and existed for two short years, with just this album and an appearance on Compilation 1 to show for their time together. The band were primarily a three piece, as their original drummer left before recording the LP and was subsequently replaced with a session musician. According to a rather lengthy discogs bio, the melodic interplay on the record is a byproduct of the band’s relative inexperience, with Hillary Dron’s basslines often mimicking the vocals while the synth provides alternate leads. Dron also handled the artwork for the LP.

That all said, this LP is a great listen from front to back, chock full of Factory-minded post-punk, complete with skirty rhythms, icy synths, and the occasional sax. The closest touchstone for me is the equally obscure Phones debut Two Hearts, Two Heads, but this LP is a bit quicker on the tempo overall. Perhaps a kinder, gentler Swell Maps?

Either way, hope y’all enjoy!

Somewhere a Voice- Love, Logic + Ego LP
1. Snakebite
2. Shalott
3. Maze
4. Conscience
5. Hanged Man
6. Lowlands
7. Bitter Sweet
8. Face On A Wall
9. His Decade
10. Another World

*download it here*

Persian Rugs- Burning Passion Pain 7”

Posted in 1981, 4ad, Pale Saints, Persian Rugs, post-punk, uk on August 10, 2018 by Frankie Teardrop

Here’s an oldie but a goodie – a 7” that has been ripped and shared before but always at a curiously low bitrate. It’s a rather affordable sliver of new wave-y/dreamy post-punk, the first in an otherwise hit-or-miss catalog from UK band Persian Rugs, released in 1981. The a-side is a very catchy affair, but it’s the b-side that not only is the winner of the two tracks for me, but also has a direct lineage to classic 4AD, in a very unsuspecting way.

So the story goes: When Ian Masters left Pale Saints to form Spoonfed Hybrid, the band continued on with co-vocalist Meriel Barham taking the reigns. Their third and final record Slow Buildings is a divisive affair, but has one standout track, the immaculate, powerful, and weepy “Fine Friend,” which was released as a single. If you’re familiar with that cut, you may immediately hear shades of Mazzy Star’s “Fade Into You” throughout, and no doubt, there is some correlation there as well, but if you listen to “Poison in the Airwaves” and “Fine Friend” back to back, you can’t miss the similarity. This was completely intentional, as 4AD’s Ivo-Watts Russel pitched the song to Pale Saints as a cover, in the vein of a This Mortal Coil-esque retelling. Rather than cover it directly, the band rewrote the lyrics, kept the chorus melodies, and added the entire second half of the song to prove their own power was still intact.

I love this story, love both tracks, and adore that this otherwise obscure nugget is woven into the fabric of my favorite record label, an easter egg that most still are unaware of. With that in mind, please enjoy this single, and have a great weekend, y’all!

Persian Rugs- Burning Passion Pain 7”
1. Burning Passion Pain
2. Poison in the Airwaves

*download it here*

A Primary Industry- (Mostly Full) Discography

Posted in 1980s, 1984, 1985, 1986, 1987, 1988, a primary industry, dreampop, ethereal, industrial, post-punk, shoegaze on August 7, 2018 by Frankie Teardrop

Got an email request for the early material of A Primary Industry, an incredibly underrated UK band who walked a fine line between the avant ghetto of SPK, 23 Skidoo, and A Certain Ratio and the ethereal textures of Cocteau Twins and Operating Theatre. While their lone LP Ultramarine was released in 1986, there are quite a few tracks that point heavily towards the shoegaze genre that was barely a glimmer across a pedalboard at the time.

That all said, A Primary Industry released most of their material on Sweatbox, an excellent label also responsible for the like-minded In the Nursery during their earlier and more experimental phase. The label also released a handful of Meat Beat Manifesto records, so you get an idea of some of the wildly oscillating moods and textures that can be found across all three bands. Otherwise, once A Primary Industry ran its course, the band morphed into Ultramarine (sharing the name with API’s lone LP), who released a series of more electronic/downtempo records in the 90s, and one in 2013. While Ian Cooper and Paul Hammond stayed on board for both projects, vocalist Jemma Mellerio left after Ultramarine’s first LP, Folk.

A Primary Industry’s work has been shared before, but at low bitrates that have since been scrubbed from the internet blogosphere. As their work is some of my very favorite, it was due time to dust off my copies of these records and share them across the board. Thanks also to Jeffo! for supplying a great rip of the band’s first 7”. I’ve uploaded the band’s four main singles and excellent LP from fresh rips, but have also included a handful of compilation tracks. I can’t take credit in any way for the lower bitrate comp rips, with the exception of the exclusive track from Bark, an excellent compilation from the Sweatbox label that also features The Anti Group, Perennial Divide, Meat Beat Manifesto, and In the Nursery. Just wanted to include the other comp tracks (minus Life at the Top, as the version of “Perversion” is identical to the 7” b-side, as is the mix of “Heart of Glass” from Bark) to complete the discography, more or less.

That said, if anyone has the elusive Real Time 6 compilation (or the exclusive track “Under Western Eyes”) I’d love to hear it, as that’s all we’re really missing here… Otherwise, enjoy!

A Primary Industry- At Gunpoint 7” (1984)
1. At Gunpoint
2. Perversion

Various Artists- Heures Sans Soleil LP (1985)
11. From This Prospect

A Primary Industry- 7 Hertz 12” (1986)
1. Cicatrice
2. Obeah
3. Biting Back
4. Bled Dry

A Primary Industry- Ultramarine (1986)
1. Body Blow
2. Beacon Hill
3. Shear
4. Sans Orange
5. Cicatrice
6. Watchword Weal
7. Gush
8. Raw Umber
9. Silesia
10. Rose Madder

|

Various Artists- Suck (A Soundtrack For Everyday Living) LP (1986)
5. Rose Madder (Edit)

Various Artists- Abstract Magazine Issue 6 – Audio Visual LP (1986)
10. They’re Biting

A Primary Industry- Heart of Glass 7” (1987)
1. Heart of Glass
2. Where Is Your Vortex

A Primary Industry- Heart of Glass 12” (1987)
1. Heart of Glass A
2. Heart of Glass B

Various Artists- Vinile No. 1 7” (1987)
5. Fokker Bomb-Shit

Various Artists- Perdurabo LP (1987)
1. Watchword Weal (Remix)

Various Artists- Bark LP (1988)
9. Merde Alors

*download everything here*

When’s the last time we had a video here?! With that in mind, there’s a video for “Cicatrice” (the first track of theirs I heard, and the winner among winners). Enjoy!

Royal Depeche- Reality 7”

Posted in 1980s, 1987, german, goth, post-punk, royal depeche on June 5, 2018 by Frankie Teardrop

This one is FRESH off the needle, ladies and gentlemen. Just got home to find this waiting in my mailbox, and couldn’t wait to rip and share it with y’all.

Some folks may recall hearing the guitar and hook driven b-side on a previous Systems of Romance compilation, but I’ve always wanted to hear the lead track. I feared the worst, for usually when only one track surfaces from a highly coveted single, chances are that the other track isn’t really worth it. Happy to report that the a-side might be even better, though the two tracks are very similar sounding overall. Chances are the b-side originated from this excellent compilation of German goth and post-punk tracks, as this single appears to be extremely rare.

If you’re not already familiar with this band, Royal Depeche were a German post-punk band who released this one single in 1987, and were never heard from again. Though it was released much later, there are definitely 81-84 vibes all over this one, especially in the Chameleons-esque guitar lines that can be heard throughout both tracks. There are hooks galore and strong female vocals to bring the tracks home. With that in mind, hope you enjoy this one as much as I do!

Royal Depeche- Reality 7”
1. Reality
2. Your Return

*download it here*

Relèvement ’82- Red Hair 7”

Posted in 1980s, 1984, Dutch, netherlands, post-punk, Relèvement '82, u2 on May 31, 2018 by Frankie Teardrop

Here’s an incredible (and rare) one-off 7” from the Netherlands, released in 1984. The four-piece band formed in 1981, and apparently remained together until 1995, even though they don’t seem to have released anything else. Most famously, however, the band were asked to perform a U2 tribute set in 1995, which led to them changing their name to U2PIA. They appear to still be active to date.

As for this single, there are definitely heavy traces of Unforgettable Fire/War-era U2 on display here (amusing as the former record was also released in 1984). The A-side is a driving slice of fast-paced post-punk bliss. The flip is no less essential, but a bit moodier and bass-driven, with an excellent whistle breakdown at the halfway mark. Both tracks are stellar, and it’s a shame that this appears to be their only official release…

Relèvement ’82- Red Hair 7”
1. Red Hair
2. Glad Song

*download it here*

Various Artists- Young Blood LP

Posted in 1980s, 1984, minimal, minimal synth, peninsula records, post-punk, power pop, synthpop, uk, young blood on April 9, 2018 by Frankie Teardrop

Many, many thanks to Thomas for fulfilling one of my all-time top must-hear compilations. I’ve been obsessed with The Enter’s “The Contract” for many years now, working the song into early esoteric DJ sets. I’ve been dying to hear more from the project, and while sadly no other tracks seem to exist (please correct me if I am wrong), I’ll settle for hearing the rest of the compilation this minimal synth dirge hails from. This compilation was released in 1984 in the UK on Peninsula Records, who only released a handful of 7” singles, a prog rock LP, and another similarly themed (but less rare/expensive) compilation, if Discogs is to be believed…

Normally, synth gems like “The Contract” are often the only listenable track on a compilation, but I’m beyond ecstatic to find that this compilation is hit after hit after hit, with only a handful of lesser moments that even still, are enjoyable. Other favorites include the arpeggiated post-punk rave-up “Dance Feat,” the early Berlin-esque “Neon Nightlife,” the jangly/power-pop “Passion Call,” and the excellent post-punk track “Warrior.” With the exception of Hurt, these are the only known tracks by each of these bands. One and done, so they say…

Hope y’all enjoy, and thanks again to Thomas for providing this rip!

Various Artists- Young Blood LP
1. Passion Call- Colourtime
2. Warrior- If
3. Dance Feat- Gettysburg Address
4. Spring Comes Early- Oh! For 1821
5. In the Glade- Hurt
6. L’Espirit D’Avignon
7. Neon Nightlife- Urutu
8. The Contract- The Enter
9. It’s a Different Kind of Heaven- Vincent Vevil Vald
10. Soldier Sailor- John Brown
11. Catch the Wind- Turbo Chariot
12. Look Through a Window- Chris & Diane Jones

*download it here*

Decades- Just Another Dream & Hell 7”

Posted in 1980s, 1981, 1982, minimal, minimal synth, post-punk, uk on March 28, 2018 by Frankie Teardrop

Here’s a mysterious pair of 7” singles from UK-based post-punk/minimal synth band Decades. Not to be confused with the French band of the same name (though these singles were pressed in France), this particular project released only two 7”s in the early 1980s on the equally unknown Emperor label.

All four tracks feature glacial drum machine rhythms (most likely DR-55), deep bass, eerie synth lines, and hypnotically stark guitar. The vocals float on top, adding a sense of dread to an already gloomy cocktail. Definitely not for the faint of heart, but an amazing listen that calls The Cure’s incredible Carnage Visors soundtrack to mind.

Since I can’t seem to find much else to share, let’s let the music speak for itself. That said, there HAVE been a few copies of these extremely scarce singles being leaked out on discogs, so you know what to do if you want one of these for yourself at a reasonable price (for now)… Otherwise, here’s the info:

Decades- Just Another Dream 7” (1981)
1. Just Another Dream
2. China Doll

Decades- Hell 7” (1982)
1. Hell
2. Enderlein

*download both here*

Dawn Fades- Demo K7 & Nine Thorns CD

Posted in 1990s, 1993, 1997, dawn fades, italian, post-punk on February 12, 2018 by Frankie Teardrop

Back in 2011, I posted the debut EP from Italian post-punk band Dawn Fades, who invoked the spirit of Killing Joke, Lucie Cries, and even early Modern English. I’ve updated the original post with a 320kbps of the CD, but what better time to post the rest of the band’s discography, which includes an earlier demo as well as a full length album.

I’ve been sitting on the full album for some time, as it took me a few listens to really appreciate it. While the band’s trademark heavy guitars and post-punk fury are still intact, there are a slew of late 90s electronics at play here, which may or may not be to some folks’ liking. The record came out in 1997, and definitely channels much of that alternative/industrial sound. If you don’t mind a little Nine Inch Nails/early 90s Killing Joke in your post-punk, it’s a great listen!

The demo tape precedes the original EP and was released in limited quantities in 1993 (and repressed in 1994). The majority of the cassette is live, but there are two studio cuts (and an intro) to kick things off. The live cuts are a mix of originals and covers, two of which were originally by Joy Division, the band’s clear namesake. The version of Sixteen Days is identical to the one that appears on the EP.

I’d like to thank Marc, the drummer of Lucie Cries, for contributing a rip of this cassette! If you aren’t already familiar with his band, please make it your first priority to check them out! There have been several reissues of the band’s catalog – a LP of selected cuts as well as a deluxe CD package of the full discography. Thanks again, Marc, and hope you all enjoy these releases!

Dawn Fades- Dawn Fades K7 (1993)
1. Intro
2. The Rape
3. Young God
4. What Use? (live)
5. Sixteen Days (live)
6. Coil (live)
7. Shadowplay (live)
8. The Rape (live)
9. Transmission (live)

Dawn Fades- Nine Thorns (1997)
1. Nine Thorns
2. Anger
3. 1.6
4. She Will Be
5. Loop
6. Collapse And Confusion
7. Lust
8. Control
9. Off

*download both here*

The Blush- A Look From Outside 7”

Posted in 1980s, 1982, post-punk, the blush, uk on January 9, 2018 by Frankie Teardrop

No matter how much I try, I keep coming back to that early 1980s post-punk sound time and time again. Icy string synths, detached vocals, heavy driving bass, and razor sharp guitars. Nothing piques my interest more than those early Factory/4AD vibes.

With that in mind, this particular 7” falls well within that category. This is the lone release by UK band The Blush, who self-released this 7” in 1982. The lineup on the back of the sleeve lists five members – two guitars, bass, drums, and of course, synths. According to another blog, there may be some Associates connections, though it’s hard to tell if the original lineup changed or adopted pseudonyms before this single was recorded. Even without confirmation, this single should definitely please fans of early Associates material, as well as bands like The Names, Acute Logic, etc. Especially love the thick bass! Both sides of the single are incredible, but the catharsis on the second song is fantastic.

The Blush- A Look From Inside 7”
1. A Look From Inside
2. Skipping

*download it here*