Archive for the australian Category

Scarecrow Tiggy – Worth/Mute 7” + Passing For Human 7” (plus bonus)

Posted in 1980s, 1990, 1990s, 1991, australia, australian, indie, post-punk on September 16, 2024 by Frankie Teardrop

Let it be known that I am a sucker for a good rickety, yet powerful post-punk/indie band, especially one with female vocals. Bands like Asmodi Bizarr, Phantom Forth, and even more indie bands like Velocity Girl and Talulah Gosh etc. are a sweet spot that I cannot pass up, not ever.

With that in mind, Scarecrow Tiggy were a four-piece band from Melbourne, Australia. The lineup originally consisted of Alex and Michael Szkutenko (bass & drums, respectively), vocalist Perri Kenrick, and guitarist Mark Johnston. This lineup of the band released two 7”s in 1990 and 1991 and contributed to several Melbourne-based compilations around that time. Soon after, the band released their lone full length album, 1993’s Ghostfish, before calling it a day. Ghostfish featured additional bass from Andrew Gunn and additional drums (and machines) by Simon Ayton, though not sure if they replaced previous members or just filled out the sound – I’ll let you know when my copy of the CD comes in the mail in a few weeks!

Until then, happy to share the band’s first two 7” recordings and the only compilation track I was able to dig up, from 1994’s The Woozy Couch Finder cassette. This compilation track was the band’s final release, whereas the rest of their compilation material dates from 1988-1994. Each of these tracks are exclusive to their respective releases, so please feel free to reach out if you own any of these compilations, or even if you have digital copies of some of them. There will be a follow-up post one of these days, and I’d personally love to hear the rest of their discography.

Without any further ado, here are these tracks. Last, but not least, much love to Matt from Kentucky Fried Wave for putting this band on my radar a few weeks ago!

Scarecrow Tiggy – Worth/Mute (1990)
1. Worth
2. Mute

Scarecrow Tiggy – Passing For Human 7” (1991)
1. Passing For Human
2. Edge of Your Smile

The Woozy Couch Finder K7 (1994)
A5. Tiger

*download all three releases here*

4 Comments »

The Limp- Marked Man 7”

Posted in 1980s, 1981, australia, australian, m squared, minimal, pel mel, post-punk, scattered order, the limp on August 4, 2014 by Frankie Teardrop

Here’s an excellent and incredibly rare post-punk 7” from 1981.  The Limp were from Australia and have ties to Scattered Order and Pel Mel, sharing many of the same members including guitarist Craig Robertson and drummer Dave Weston.  Vocalist/saxophonist Judy McGee was also in Pel Mel, splitting vocal duties with Graeme Dunne.  There’s some personnel differences between both Pel Mel and The Limp, but both bands sound very similar, the result of McGee’s moody vocals and otherwise post-punk aesthetics, though The Limp appear to be a little darker and moodier in contrast to Pel Mel’s angular and energetic take.  Both bands have played a handful of shows in 2012 as the Pel Mel Organisation, performing songs by both bands.

This is the Limp’s second 7”, the first being even more difficult to track down, self-released in a run of 100 copies with no picture sleeve.  “Marked Man” appeared on Primate Records, which also released the first Pel Mel 7” in the same year.  Otherwise, a handful of Limp tracks appeared on various compilations, including the One Stop Shopping K7 and the infamous M Squared studio/label compilation A Selection.  “Pony Club” was re-compiled on the excellent Can’t Stop It! compilation, which spans Australia’s fertile post-punk scene from 1979-1982.  The title track (my favorite on this 7”) also appears on the 5th CD-R tribute to Some Bizarre, which as with the Tribute to Flexi-pop bootlegs, is an excellent gateway to many obscure relics.

The Limp- Marked Man 7”
1. Marked Man
2. Ghost Train
3. Humans Beware

*download it here*

6 Comments »

Karen Marks- Cold Café 7”

Posted in 1980s, 1981, ash wednesday, australia, australian, karen marks, karen marx, minimal, minimal synth, modern jazz, new wave, the metronomes, thealonian music on February 10, 2014 by Frankie Teardrop

Winter is continuing to beat me down here in New York, so here’s something as frigid as the weather has been lately. We’ll just ignore the fact that this cold, minimal gem comes from down under, where the temperatures are as warm as the reefs are deadly. I’m also drinking a cup of cold coffee as I drink this, so seems like an apt time to post. Thanks especially to Bruce for ripping his copy of this incredibly scarce single, which I’m told recently sold for over 500 Australian dollars! That’s one expensive cup of coffee…

This particular Australian gem was released in 1981.  The central character here, with a beautifully sad voice is Karen Marks, with The Metronomes/Modern Jazz/Thealonian Music’s Ash Wednesday appearing as a musical partner. He is credited as producer, but also co-wrote the b-side. As for Karen, there’s no information to be found about her, though she did sing backup on Ash’s equally scarce and equally cold but slightly more aggressive Love By Numbers 7” (occasionally credited as Karen Marx). Despite keeping a low profile, she still appears to be in league with Ash, appearing live in 2012 to perform “Love By Numbers” at the Crystal Bowlroom in St. Kilda. Check that out after the download link.

While “Won’t Wear It Too Long” features a more full arrangement and feels like more of an a-side, I go especially nuts for the title track, a melancholy love letter ripe with restrained desperation. That said, both song seem to tell a similar tale of lost love by the television, with a cup of coffee being the central metaphor. No matter which side you prefer, both tracks have that certain je ne sais quoi that makes these kind of singles so cherished, despite how off-the-grid they are.

As far as I understand, this single was issued without a picture sleeve, so all we have is a nondescript center label…

Karen Marks- Cold Café 7”
1. Cold Café
2. Won’t Wear It For Long

*download it here*

As promised, here’s a live performance of Ash Wednesday’s “Love By Numbers” from 2012, with Karen performing her trademark backing vocals:

11 Comments »

Gulf Klub- What’s Cooking 7”

Posted in 1980s, 1984, australia, australian, gulf klub, minimal, minimal synth, post-punk on April 19, 2013 by Frankie Teardrop

Just realised it’s been a while since my last post.  Sorry, guys!  I have quite a few things on the plate, including a rare French coldwave 7” and a few more Italian goodies that I’ve been meaning to get to, but here’s something I’ve had uploaded for a while to whet your appetite until I can get that stuff all organized properly for you.

This is a one-off 7” from Australia, released in 1984 via Vi-Nil Records. Despite being distributed by EMI, this one didn’t get a lot of attention when it came out. Not much about them on the net, but Geoffrey Stapleton was also involved with The Aliens, GANGgajang, and more.

Personally I don’t care much for the a-side (but of course, that’s just my own taste), but the flip is a great piece of Middle Eastern inspired minimal synth. While the geography is all wrong here, the sound still feels right at home for fans of Minimal Compact, Beograd, Max & Intro, etc. A short little piece of synth perfection that I hope you all enjoy!

Gulf Klub- What’s Cooking 7”
1. What’s Cooking
2. India

*download it here*

More soon, stay tuned!

 

3 Comments »

Denial- California Dreaming 7”

Posted in 1980s, 1982, australia, australian, denial, m squared, minimal, minimal synth, new wave, synth on January 23, 2013 by Frankie Teardrop

Ever since I picked up an instrument, I have wanted to record a cover of infamous 60s pop hit “California Dreaming” and expose it for the haunting dirge it really is… While I’m sure it’s not a stretch to envision a darker world painted in the Mamas and Papas hit from 1965, the idea always appealed to me.  However, looks like the job was done already, thanks to Australian synth band Denial, who issued a stark, brutal cover of the tune in 1982, backed with an excellent original rickety post-punk track…

This lone 7” was released on the infamous M Squared label, who were responsible for Xero and Scattered Order as well…  This is the only release under the name Denial, but they were previously known as Aural Indifference, who appear most prominently on The Minimal Wave Tapes vol. 2 compilation from 2012 as well as a compilation on M Squared.

Denial- California Dreaming 7”
1. California Dreaming
2. The Weathermen

*download link removed*

This 7” has been reissued as of May 2016 on A Colorful Sound. Copies can be purchased on their official site, or through Juno‘s mailorder!

8 Comments »

Industrie- H LP

Posted in 1980s, 1983, australia, australian, industrie, new wave, synthpop on October 27, 2010 by Frankie Teardrop

One of my favorite tracks from the first Systems of Romance compilation is Industrie’s “Secret Affair”- a playful synth jam with solid female vocals. Imagine my delight when I came across a pristine copy of their lone LP. I just received it yesterday, and I’ve already ripped and uploaded it for you all today.

This particular LP is the Australian band’s only release, hailing from 1983. While a handful of people contributed to the recording, only two appear in the photo on the back of the LP, so I reckon there were studio musicians involved. Not sure if the band ever performed live, so if anyone has any more info, please pass it along!

As for the LP, you can expect more of the same catchy new wave jams here, with only a few slower, less-interesting ballads. Everything else is pure new wave/synthpop heaven (for fans of Moev, early Berlin, etc.), so without any further ado, here’s the information:

Industrie- H LP
1. Heartbeat
2. Neon Neon
3. Second Death
4. Nothing Lasts Forever
5. Stay With Me
6. H
7. Secret Affair
8. You’re the One
9. Bedroom Eyes
10. Found You

*download it here* (re-ripped 4.16.17)

4 Comments »