Archive for the 1984 Category

Psi Com- Worktape 1 and Demos

Posted in 1980s, 1984, alternative, deathrock, goth, goth-rock, jane's addiction, LA, los angeles, mazzy star, perry farrell, post-punk, psi com, red temple spirits, US on August 12, 2013 by Frankie Teardrop

psi com group 2

Before there was Jane’s Addiction, there was Psi Com, a post-punk/deathrock band fronted by Perry Farrell.  The band released one demo tape and one 12” (re-released on CD and 10” in the mid-90s) in 1985.  The band began in 1983, when Perry answered an ad from guitarist Vince Duran looking for a drummer, as his fledgling band was primarily using a drum machine.  Instead, Farrell took over as vocalist, adding Rich Evac on bass, Aaron Sherer on drums, and Mariska Lassius on keyboards.  This was the lineup for their demo tape that was eventually sold at shows in 1984 with elaborate packaging reminiscent of Independent Project Records releases.  The photo above depics the lineup for these recordings.  Soon after the demo was released, Lassius and Evac left the band, replaced by bassist Kelly Wheeler for their 12” sessions.

Based heavily in the psychedelic roots of Pink Floyd as well as the UK post-punk movement, Psi Com’s sound was much more in line with Savage Republic, The Ex, and Bauhaus than the horror punk sound that was developing on the West Coast.   If anything, Psi Com was a vessel for the Red Temple Spirits sound moreso than the hedonistic excesses of Jane’s Addiction, though both bands continued exploring their psychedelic influences and alternative leanings.  Even Perry Farrell’s trademark wail is downplayed on these recordings, though there’s no mistaking it during certain key passages.

Psi Com broke up suddenly in 1985, after gaining a heavy local following.  Legend has it that Eric Avery, bassist for Jane’s Addiction, was drafted as a new bassist for Psi Com, changing direction as Stephen Perkins and Dave Navarro joined.  Bassist Kelly Wheeler played briefly with Dino Paredes of Red Temple Spirits, and Aaron Sherer eventually retired from music after playing drums on several tracks from Mazzy Star’s excellent Among My Swan LP.

Here we have a fan circulated collection of demos and additional tracks, including the debut Worktape cassette as well a series of studio recordings and instrumentals that originally appeared on a Jane’s Addiction bootleg CD from 1991.  While the 12” has received a fair amount of attention as Farrell’s pre-Jane’s vessel, these demos are still rather obscure, and definitely worth hearing even if you’re not a fan of what came next. 

psi com worktape art

Psi Com- Worktape 1 and Demos
1. Hopeful
2. Them
3. Psi Com Theme
4. 14th Floor
5. Cat
6. Karuna
7. 14th Floor (Instrumental)
8. Cat (Instrumental)
9. Karuna (Instrumental)

*download it here*

Various Artists- Dreams and Desires K7

Posted in 1980s, 1984, 4ad, coldwave, compilations, goth, goth-rock, minimal synth, pleasantly surprised, post-punk on June 12, 2013 by Frankie Teardrop

Have a few tapes here to share over the next few weeks… Some more rare Italian demos, a 2xK7 French compilation, and much more, but here’s an old classic as donated by Jeffo and re-ripped at VBR for maximum enjoyment.  You may have heard this over at Return of the East back in the day, an old favorite blog of all things dark that’s since purged from Blogger.  PS- You should all take a listen to The Anxiety of Love if you want to hear more from the excellent chap who ran that blog, here’s to more great sounds from them to come.

This tape, released in 1984, essentially reads like a who’s who of the classic 4AD roster, with some other amazing contributions from favorites such as Pink Industry (and a track by Ambrose working on her own), Vazz, Clair Obscur, In the Nursery, Band of Holy Joy, etc.    Many of the tracks that appear here are in demo form, some of which (like the sketch of Cocteau Twins’ sublime “Pearly Dewdrops Drops” and Dead Can Dance’s excellent demo of “The Arcane”) haven’t been compiled in even the most thorough retrospectives.

Pleasantly Surprised, the Scottish label run by Robert H. King, eventually became Cathexis Recordings (Vazz and Clair Obscur vinyl releases), which then turned into Total, a music magazine, by the 1990s.  Pleasantly Surprised were notorious for these compilations, as well as for releasing a rare Dif Juz tape and providing reissues/alternate distribution methods for an early Clair Obscur release, just to name a few standout credits.  I haven’t heard many of the other VA compilations so I can’t be sure if the versions on those cassettes are demos as they are here, or if they’re studio versions compiled for cassette.  If anyone can confirm or deny, please feel free to leave a comment.

Various Artists- Dreams and Desires K7
1. Side A Intro
2. Richard Killing- Nervous Choir
3. Tag Fur Tag (Demo)- Xmal Deutschland
4. Diamonds In the Mine (Live)- Artery
5. Silver- Vazz
6. Sex Gun (Demo)- Colourbox
7. Ecstasy (Instrumental*)- The Wolfgang Press
8. Pain of Pride- Pink Industry
9. A Glorious Morning In Orton Street- The Band of Holy Joy
10. Side A Outro
11. Side B Intro
12. The Pilgrim’s Progress (Instrumental)- Clair Obscur
13. The Arcane (Demo)- Dead Can Dance
14. Can’t Get Used to Losing You- David J
15. In One Move- Illegitimate Sons of Christ
16. Pearly Dewdrop’s Drops (Demo)- Cocteau Twins
17. Iskra- In the Nursery
18. Free At Last- Ambrose
19. Illustrated- Andrew Grey
20. Tree Top Club (Demo)- Virginia Astley
21. Smile- Patrik Fitzgerald
22. Side B Outro

*download it here*

 

*not really an instrumental at all.  But we all know the Rema-Rema gag, right?

Stranger To Stranger- Casting Shadows LP

Posted in 1980s, 1984, goth-rock, post-punk, stranger to stranger on June 6, 2013 by Frankie Teardrop

Been a bit since my last post, at least by my standards.  I’ve spent the past few weeks revisiting a lot of my 7”s and making new rips of quite a few of them, as well as a few that haven’t been posted/have been posted elsewhere.  You’ll see some of those soon, but for now, you can check these posts for new rips:

Berlin- The Metro 7”
Jus D’orange/Red Rain Coat 7”s
Fatidic Seconde- Le Drakkar 7”
Message- Dernière Nuit 7”
Troops For Tomorrow- Songs of Joy & Faith 7”
I’m So Hollow- Emotion/Sound/Motion LP (LP only)
Minimal Synth mystery corner 7”
Excentrique Noiz- Dark Crystal Day 7”
Repetition- A Still Reflex 7”
Modern Eon- Fiction Tales Plus (VBR rip thanks to Jeff!)
Luxembourg- La Cible 7”
Sensation- Trafic 7”
Ahab- Party Girl 7”
Ultime Possibilité- Errance 7”

I’ve ripped a few new acquisitions too, so with that in mind, here’s an LP that’s appeared elsewhere on the net thanks to Fantod Under Glass, but I finally got my hands on a fresh copy for maximum listening pleasure.  Fantastic debut release from Stranger to Stranger, a Philadelphia, PA band from 1984.  As Fantod explains, there’s a heavy 4AD influence here, from the more esoteric post-punk era of the label (My Captains, Mass, etc.) as well as some similarities to Sad Lovers and Giants, European Toys, and the above mentioned I’m So Hollow.

Quite a UK-centric sound for this ambitious Philadelphia band, who have six more releases following this one.  I’ve only heard 1985’s The Child In Me 12” and the follow up LP, both of which move more towards an indie/jangle sound.  Great if you like that sort of thing as well (I certainly do), but this LP is the real deal, and both “Easter Night” and “Evening Opus” have quickly become favorites.   You can get the 12” on Vinyl Obscurity, and you can catch the Darkest Dreams LP on A Viable Commercial!

You can read a bit more about the band here.

Stranger to Stranger- Casting Shadows LP
1. Easter Night
2. Crowded Room
3. In Your Eyes
4. Voices Calling
5. Flux
6. Cry To Dream
7. Evening Opus (Pts. 1, 2 & 3)
8. Lonely Winter
9. Wind On Skin

*download it here*

La Valse- Winter 7”

Posted in 1980s, 1984, coldwave, Dutch, la valse, netherlands on April 22, 2013 by Frankie Teardrop

Incredibly rare 7” from the Netherlands here that I’ve seen on several wantlists over the years.  Due time for this gem to be heard!  No year attached to this one, and despite the label (No Records), it may be a private pressing.  If I had to guess, it has an early 80s feel to it- perhaps 1981-4 due to the prominent use of the TR606 (EDIT: according to a magazine listing, this was released in 1984).  The band were from Breda and this is their only release, perfect for fans of that cold guitar sound with both male and female vocals on the a-side.  Minimal synth fans should also enjoy this one, as the flip features some trademark synth and drum machine work.  You can also find “Sorrow” on one of the None Night of Flexipop compilations…

Either way, both tracks here are great, gloomy affairs that should feel at home for fans of The Names/Factory Records.

Thanks to Stéphane for clueing me into and sending me the original rip of this lost classic!

La Valse- Winter 7”
1. Winter
2. Sorrow

*download it here* (RE-RIPPED at 320 kbps 5.5.13)

Gulf Klub- What’s Cooking 7”

Posted in 1980s, 1984, australia, australian, gulf klub, minimal, minimal synth, post-punk on April 19, 2013 by Frankie Teardrop

Just realised it’s been a while since my last post.  Sorry, guys!  I have quite a few things on the plate, including a rare French coldwave 7” and a few more Italian goodies that I’ve been meaning to get to, but here’s something I’ve had uploaded for a while to whet your appetite until I can get that stuff all organized properly for you.

This is a one-off 7” from Australia, released in 1984 via Vi-Nil Records. Despite being distributed by EMI, this one didn’t get a lot of attention when it came out. Not much about them on the net, but Geoffrey Stapleton was also involved with The Aliens, GANGgajang, and more.

Personally I don’t care much for the a-side (but of course, that’s just my own taste), but the flip is a great piece of Middle Eastern inspired minimal synth. While the geography is all wrong here, the sound still feels right at home for fans of Minimal Compact, Beograd, Max & Intro, etc. A short little piece of synth perfection that I hope you all enjoy!

Gulf Klub- What’s Cooking 7”
1. What’s Cooking
2. India

*download it here*

More soon, stay tuned!

 

Harumi Shimada- Yakō Shōnen 7”

Posted in 1980s, 1984, after the sludge, harumi shimada, japan, japanese, masahiro sugawara, minimal, minimal synth, new wave on March 27, 2013 by Frankie Teardrop

Another quick and dirty post here, an excellent 7” from Japan, released in 1984 via Forecast Records. According to the discogs entry, this 7” was written by Masahiro Sugawara, who was also involved in After the Sludge.  Harumi was just one of six people who performed on this 7”, which features an excellent mid-tempo minimal synth track.  The B-side appears to be a bizarre dub version of the track which weaves in and out of coherence and descends into chaos over the course of 5 minutes.  Safe to assume that the B-side is the English translation of Yakō Shōnen.

I have plenty of excellent coldwave on the back burner, but it’s been a long time since we’ve had a bona fide minimal synth rarity, so have at it!

Harumi Shimada- Yakō Shōnen 7”
1. Yakō Shōnen
2. Midnight Boy

*download it here*

A Love Sound- I Need 12”

Posted in 1980s, 1984, a love sound, Contempo Records, italian, minimal, minimal synth, synth on February 12, 2013 by Frankie Teardrop

Incredible Italian minimal synth from 1984, released on the always excellent Contempo Records (Death In Venice, Venus In Furs, Diaframma, Voices, as well as various 4AD distro in Italy).

Tracks 1 and 3 are the standouts for me here, the first being a club friendly slice of synth perfection, and “The Kind” being the epic masterpiece on this 12”, complete with an arpeggiated 808 solo, the first I’ve heard in this style for sure.  The other two tracks toss in some acoustic guitar with the electronics, and while they’re not as strong overall, they do a fine job of rounding out this excellent 12”.  While it’s not a musical touchstone, the singer reminds me a bit of Peter Murphy at times- less so the deep croon and more snide and biting. Seems like the band was very into the synth scene at the time, and listed all the gear used to make the record on the back sleeve.  Some very iconic gear there!

A Love Sound- I Need 12”
1. I Need
2. Sickness
3. The Kind
4. Pale Jade Eyes

*download it here*

If you dug this one, stay tuned for a few Italian donations over the next few weeks!

The Wild Flowers- The Joy of It All LP & Blue Hollow- Stealing a Whisper LP

Posted in 1980s, 1984, 1986, blue hollow, coldwave, dreampop, new wave, post-punk, the wild flowers, uk, US on January 28, 2013 by Frankie Teardrop

Hope you’ll all indulge me for a little two-for-one post here.  While these two records are generally unrelated, they sound incredibly complementary and it’s no stretch that if you love one, you’ll probably love the other.  Also, both LPs have been posted by other blogs in the past.  I only double dip today to offer fresh rips and hopefully to turn you guys on to two excellent, if but vastly under-appreciated post-punk masterpieces from the mid-80s.

First up is the debut LP from The Wild Flowers, which you may have heard via Curious Guy’s excellent post from 2006.  There, he mentions that the band was the original outlet of guitarist David Newton, who left soon after to form the also excellent Mighty Lemon Drops.   I’m on my second copy of this LP, between DJing and home listening, so that should speak highly of this particular record, which calls the lush majesty of bands like The Chameleons, Icicle Works, The Lucy Show, Breathless, The Sound, and of course, Echo & the Bunnymen’s Heaven Up Here to mind.  You can grab their first two 7”s here.  I do have the third LP, 1988’s Sometime Soon.  It’s been a while since I’ve heard it so I don’t remember how it stacks up, but I’m very interested in hearing 1987’s Dust.

The second LP is the one and only release by Blue Hollow, who rose from the ashes of Gluons, a darker and more dissonant band from Massachusetts.  Stealing a Whisper, which was released three years later, would shed much of the cacophony and offer up a record that sits comfortably alongside The Wild Flowers on sheer strength of songwriting.  Equally lush and romantic songs and catchy hooks, clearly pulling from the same set of influences and delivering a similarly striking album…

It’s a shame that neither of these records are more well known, even in these circles, so hopefully this post brings them to a wider audience.  Enjoy!

The Wild Flowers- The Joy of it All (1984)
1. Melt Like Ice
2. Beggar Man
3. The Promised Land
4. After All These Years
5. Dark Times
6. The Joy of it All
7. Bamboo
8. Hold the Torch
9. Things Have Changed
10. From the Sky

*download it here*

 

Blue Hollow- Stealing a Whisper (1986)
1. Color of Night
2. Inhale
3. Running Down
4. Blue Hollow
5. We Fall
6. Hearts Hang Souls
7. Wildskin
8. Stranger

*download it here*

Thanks for indulging me here today… For those who are looking for something new and unheard, hang tight- as the next few posts will feature very rare cassettes, demos, and more!  Thanks to all who have sent things over in the past few weeks- it’s always appreciated!

Ania- Ma’king Love 7”

Posted in 1980s, 1984, ania, minimal, minimal synth, swedish, synthpop on November 26, 2012 by Frankie Teardrop

Been a long time since we’ve had something on the minimal synth side of the spectrum, so after another excellent Thanksgiving break I offer up this little Swedish nugget from 1984.  A simple two track 7” of very murky origin, on a label with no other releases credited via discogs, a slice of synth perfection with female vocals that is guaranteed to get your goose, or rather, turkey leftovers cooking… The A-side is best enjoyed by those who like sleazy, funky disco in the vein of Nancy Nova.  The B-side is the real treat here, a must for minimal die-hards and worth the price of admission alone, if you’ve got the chowder to purchase your own copy.  After downloading, mister Vanilla Face of Crispy Nuggets drew accurate comparisons to Rive Gauche & Carol releases.  A perfect comparison, if I do say so myself!

Ania- Ma’king Love 7”
1. Ma’king Love
2. …On the Telephone

*download it here*

 

Taking a quick glance at the queue, we’ll be getting back to rare tapes over the next few weeks, with an exception here or there.  A few hints about some upcoming posts: LC, PM, OD, SI, & LD.  Stay tuned for more over the next few weeks!

Six Sed Red- Shake It Right 12”

Posted in 1980s, 1984, b-movie, cabaret voltaire, electro, Marc and the Mambas, soft cell, synth, synthpop on November 13, 2012 by Frankie Teardrop

This one goes out to Tamaryn, who’s currently touring behind Tender New Signs, my favorite record of 2012.  It’s been a while since we had anything club-friendly here, so here’s a fresh rip of one of my favorite WIERD DJ staples.  You may have seen this circulating around as bx-59cppw’s debut post, and there he sheds some light on this mysterious 12” from 1984.   Released on Sire, this single was produced by Cabaret Voltaire and features two tracks by the duo of Cindy Ecstasy (Soft Cell/Marc and the Mambas) and Rick Holliday (early B-Movie lineup).  It’s as good as it gets for club-ready, sex-dripping electro, and sounds to me like Prince and the girls from Strawberry Switchblade decided to record a cover of “Sensoria.”

Seriously.  You guys are going to love this one.

Six Sed Red- Shake It Right 12”
1. Shake It Right
2. Bang ‘Em Right

*download it here*